Deadline: All submissions are to be received by September 22, 2015. Instrumentation: Unaccompanied viola. May include electronics. Eligibility: Composers 40 years of age and older who consider themselves to be emerging in their careers. Examples of emerging composers may include, but are not limited to: composers who have changed careers, those who have had a … More Call for Scores for Emerging Composers
Fireheart, by Matthew H. Fields, for Pierrot ensemble with percussion Exit, Pursued by a Bear, by Matthew A. Browne, for solo viola
Violin Concerto, by Steven R. Gerber, for violin and orchestra Viola Concerto, by Steven R. Gerber, for viola and orchestra Sarabandoid, by Phillip Martin, for cello and piano String Quartet, by Mario Godoy
A recent blog post on The Artistic Brunette reminded me of how scattered my mind can be in the practice room. In spite of the fact that I was preparing for my junior recital this past February, I could not seem to resist irrelevant thoughts burrowing their way into my brain and popping up everywhere … More You’ve got to attack it from the root, Sakari.
Honeydew, by Mike Majkowski, for solo double bass Costume of Melancholy, by Roil, for double bass, piano, and drums Two Cornish Ladies, by Rachel Nicholas, for chamber ensemble H is for, by Rachel Nicholas, for solo piano Piano Teeth, by Rachel Nicholas, for piano, violin, viola, cello, and double bass
…awesome free music and nothing less. I had to be delusional to not catch this when it first came out.
the pine mantras, by Anthony Suter, for percussion quartet Tromba lontana, by John Adams, for two trumpets and orchestra Karakurenai, by Andy Akiho, for marimba and steel drum Rothko Chapel, by Morton Feldman, for viola, celesta, percussion, and choir